![]() At first, this would almost seem to be a way to save money to get more information across to the audience without having to actually put it on screen, but this is really an ingenious way of furthering the story. In The Empire Strike Back, the first thing that we are treated to is the traditional scrolling text along a background of stars, depicting what has happened between the last film and this one, and reminding us of the things that were mentioned in the last film but never explained. Obviously, it is much more than a simply made science fiction film, but like I said in my review of it, there was a lot of highly effective reliance on things that were not put on screen, such as Obi Wan's description of The Force to Luke. In the 1977 Star Wars, there is a clear reliance on simplicity in some parts. ![]() Luke takes his first steps to becoming a Jedi, and the hero myth restarts in The Return of the Jedi, except this time his mentor is Yoda.In a film like The Empire Strikes Back, especially a few years on the heels of such a mind-bogglingly great film like the original Star Wars, there is something that comes immediately to mind that would at first seem to count against the film, but instead only winds up increasing the respect that it commands. Luke's change comes when he remembers Obi-Wan saying, 'Use the force', and he uses it to help him aim his laser into the heart of the Death Star. ![]() When heroes succeed, they return from the special world, changed by their experiences forever. Luke loses his mentor when he sees Darth Vader kill Obi-Wan, which helps him find the strength he needs later on. There often comes a moment when they face death or loss and that experience gives them the strength to finally defeat the enemy. Next, the hero overcomes obstacles on the way to facing their greatest challenge. For Luke the mentor is, of course, Obi-Wan, the friends are Han Solo and the robots R2D2 and C3PO and the enemy is Darth Vader inside the special world of the Death Star. The next stage consists of passing tests, fighting enemies and meeting friends as the hero prepares to face their biggest challenge. When he finds Princess Leia's message to Obi-Wan Kenobi inside the robot R2D2, it is 'the call to adventure' that starts the hero on his journey.Īccording to Campbell, the hero at first refuses the call to adventure, but a mentor appears who helps them and they decide to 'cross the threshold' and travel into the 'special world' where the adventure happens. At the beginning of Star Wars, Luke lives an ordinary life with his aunt and uncle, repairing robots. Typically the hero starts the story living an ordinary life, but something happens that calls them to an adventure that changes everything. George Lucas was one of the early film directors to directly base his story on the 17 stages of the hero's journey. ![]() ![]() It's a tale that has been told for thousands of years, from the Ancient Greeks with The Odyssey to JK Rowling's Harry Potter books. In short, a hero sets off from home on a journey, where he overcomes obstacles and defeats enemies to return with a prize. In his book, Campbell analyses myths from all over the world to describe the 'monomyth' – a pattern that you can see in myths from every culture. Later editions of Campbell's book even featured Star Wars' hero Luke Skywalker on the front cover. That's because director George Lucas based Star Wars on the ideas in Joseph Campbell's 1949 book, The Hero with a Thousand Faces. But, in fact, both films follow a structure that pre-dates all Hollywood films, that of the 'hero myth'. Critics of the 2015 film Star Wars: Episode VII – The Force Awakens have called the film unoriginal and predictable because the story so closely mirrors the very first Star Wars film in 1977. ![]()
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